Really beautiful, moody but in a soft way.

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very nice Sarah!

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whatever people say i am, that's what i'm not.

sadly...one of the things my professors never really explained was how much experimentation we could get away with...as a result, we lived in fear of the almighty grade & did what we thought would yield good grades, not results down the road. hell ya...experiment. Style is a beautiful thing & a cage. I never would have guessed this was your work, not your "style" at all. Meanwhile, you have...um...artists like Leroy Neiman, Kincaid (I just threw up a little), Wesselmann, & Katz ...all with instantly recognizable styles...& that's the problem...same shit (George Carlin "shit") over & over again...Some artists manage to mature, move into something different that still is unmistakeably theirs...like Roger Dean, from very linear, watercolor/airbrushy stuff to very painterly, color/experimental stuff...with his new style you were pretty sure it was him...ah...yup...it is. This is a style that seems much darker & depressing than your usual approach, which even when it's dark, there's always been a hint of humor & sensuality (via the full lips your subjects have)...anyway...this is very different & cool...thanks for sharing your less travelled, experimental roads.

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"Tell me, are you sensitive to the influence of the full moon and the werewolf?" -Krank "City of Lost Children"

nice...it's somehow darker than your usual works.

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"Evil, in its purest form, is never aware of its own deceptive nature."

very nice work

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Wondering, Wondering in Feilds of Disillusion

Beautiful! The face is so very expressive...

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Behold, for I stand at the door and knock.

you're right we have to experiment with different styles, and I like what I see.

RRR! b e a utiful! grat on it

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i am Jack's wasted life

I still think it's very recognizable as yours. I like